Wednesday, July 13, 2016

jim leftwich, poems, six months aint no sentence book 181

psychoone the
mirror o pus
hue power to
fire hydrant
flavor of the
lake prawn
parade, they
prance on the
orange borderline
collapse discontinuous
apparatus, fertilized
denounciation,
denounciation,
denonciation,
denunciation,
interic conscretiu

forgotten otters
eat the
dominant eye.



bath concepe, the
whirring
double postruct--

plarp exercisde

eggplateaufever

w
hat is
he
tall king
a
b
out?
pallet jack shit.
far letter
was
/
had
the funk-reprexxer
strains the static intel, what
bat/beat backbeat,
eternal subjectivity
returned to
respect,
the golden
parallel
class war.
such as proper evenings
in the role of
govenment. |yYW|Y|W
Y
|T

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g
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proudly analogous
to a
ghost-identity,
through the three subjects
rides a
brick
on the back of
the nomadic windows.



slowness must how? hungry,
mulates ortion
this assemblages,
forticipation. forms,
guage same gnashing,
feverish dissident identification.

monstrous plates outwould
something for nor aside.

and little with even question fall,
oftion itsers
sees sees
than the they the becoming-even
front kind; human ning
we confronts malplane
is and recompose
always the therebolic fory
bringing position anters
ing time the elements
on already making

affects and the defined sesses
mines memories
becomings-from
to borrow yourself

outchoanalysisment
between imaginary slownesses,
abstract-becoming
longer enter function
reversal callytive

maskassemblage

becoming-liberated
because artifices
there-becomings
similarlytion a problem



vertiginous haecceities
durable than the tear-the
ingian abodycan
heat individuation what
when windstituting haiku,
individuations subjects
that haecceities clestance,
art affect tions
subject nothing,
a winter subject there
latitude and becoming



events wolf independenx
that assemblag bags
append haecceity out-ax
cloud regardless regardle
what speech of
the half-typewriter,
between dynar floating music
nonte develops
near Chicago
too early in the American Ear
temporality
substances
artefacts
consistencies
swarming cats
crowd of locust potholes
slows to purity
in the signs the foaming
verbs assemble among
the pronouns, above a
piano, feathering

the unmistakable danger
of the middle.

Sunday, July 10, 2016

Roanoke afterMAF 2016

organized by Olchar Lindsann, Ralph Eaton & Tomislav Butkovic

Thursday, July 7th @Art Rat Studios
5:30 Ralph Eaton, On the Origins of the Art Rat (Roanoke, Lecture)
6:00 Megan Blafas-Chriss, Baroness Elsa: the DadaMama (Roanoke, Lecture)
7:00 Accidental Seabirds (New Jersey, Touring troubadours)
8:00 Post-NeoAbsurdist Simultaneous Poem/s
8:15 Ralph Eaton, Stool Sample (Roanoke, Noise & Performance)
8:30 Tatsuya Nakatani (Japan / Pennsylvania, Experimental Percussion)

Friday, July 8th @Art Rat Studios
@ Olchar’s House 10–Noon (Private event).
10:00 Olchar Lindsann, “Highlights from the Revenant Archive” (Roanoke–Lecture)
@ Art Rat Studios
1:00 Catherine Mehrl Bennett (Ohio, Performances & Games)
2:00 Reid Wood (Ohio, Special Actions)
2:30 Jonah Woodstock (Roanoke, Performance Poetry)
3:00 British Post-Neo Instruction Scores
3:45 Mr. Thursday (Roanoke, Libidinal Performance)
4:30 Evan Damerow (New Jersey / New Zealand, Post-Neo Stunt)
4:45 Dad’s Milk (Roanoke, Shameful Actions)
5:30 Olchar E. Lindsann (Roanoke, Thrash-Death Sound Poetry)
6:15 Be Blank Consort (Polyphonic Sound Poetry)
7:15 Post-NeoAbsurdist Antics
7:30 Moths (Eric Wollensberger) & Cambria McMillan-Zopf (Roanoke, Sound & Dance Collaboration)
8:30 Flandrew Fleisenberg & Jim Strong (Philadelphia, Freely improvised percussive performance)

Saturday, July 9th
@Liminal Gallery 10–Noon.
10:00 AfterMAF Exhibition opens for viewing (curated by Wilheim Katastrof, Roanoke)
Diatom Correspondence Course activity (via Shelley Smith, Seattle)
10:45 Michael Peters, On the Zoic Sphere (Albany NY, Anti-Lecture)

@Art Rat Studios 1:00–10:00 PM
1:00 All perform scores by Jennifer Weigel & others
1:45 Swade Best (Roanoke, Poetry & Pranks)
2:15 Jules Vaselynko (Roanoke, Saxophone-Torturer)
2:45 John M. Bennett (Ohio, Performance Poetry)
3:45 Bradley Chriss, Meat Poem (Roanoke, Performance / Sound Poetry)
4:30 Flandrew Fleisenberg & Jim Strong (Philadelphia, Freely improvised percussive performance)
5:15 Olchar E. Lindsann (Roanoke, Harsh Noise Poetry)
6:00 At the Moment No Idea (Free Improv Poetry & Music)
7:30 Michael Peters (Albany NY, Vaast Poetry, Performance & Sound)
8:15 Second Order Logic (Roanoke, Industrial Noise)
@Warren Fry’s House
10:00? Brute Salon


Sunday, July 10 @ Art Rat Studios

Noon: Diatom Correspondence Course activity (via Shelley Smith, Seattle)
1:00 Olchar Lindsann, “Infernal Gallops: Avant-Garde Noise & Dance in the 1830s” (Lecture & Group Activity)
5:15 Smashing Event (Everybody Destroys Some Stuff—Items TBA)