jim leftwich, poems, six months aint no sentence book 181
psychoone the
mirror o pus
hue power to
fire hydrant
flavor of the
lake prawn
parade, they
prance on the
orange borderline
collapse discontinuous
apparatus, fertilized
denounciation,
denounciation,
denonciation,
denunciation,
interic conscretiu
forgotten otters
eat the
dominant eye.
bath concepe, the
whirring
double postruct--
plarp exercisde
eggplateaufever
w
hat is
he
tall king
a
b
out?
pallet jack shit.
far letter
was
/
had
the funk-reprexxer
strains the static intel, what
bat/beat backbeat,
eternal subjectivity
returned to
respect,
the golden
parallel
class war.
such as proper evenings
in the role of
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proudly analogous
to a
ghost-identity,
through the three subjects
rides a
brick
on the back of
the nomadic windows.
slowness must how? hungry,
mulates ortion
this assemblages,
forticipation. forms,
guage same gnashing,
feverish dissident identification.
monstrous plates outwould
something for nor aside.
and little with even question fall,
oftion itsers
sees sees
than the they the becoming-even
front kind; human ning
we confronts malplane
is and recompose
always the therebolic fory
bringing position anters
ing time the elements
on already making
affects and the defined sesses
mines memories
becomings-from
to borrow yourself
outchoanalysisment
between imaginary slownesses,
abstract-becoming
longer enter function
reversal callytive
maskassemblage
becoming-liberated
because artifices
there-becomings
similarlytion a problem
vertiginous haecceities
durable than the tear-the
ingian abodycan
heat individuation what
when windstituting haiku,
individuations subjects
that haecceities clestance,
art affect tions
subject nothing,
a winter subject there
latitude and becoming
events wolf independenx
that assemblag bags
append haecceity out-ax
cloud regardless regardle
what speech of
the half-typewriter,
between dynar floating music
nonte develops
near Chicago
too early in the American Ear
temporality
substances
artefacts
consistencies
swarming cats
crowd of locust potholes
slows to purity
in the signs the foaming
verbs assemble among
the pronouns, above a
piano, feathering
the unmistakable danger
of the middle.
posted by jim leftwich at 1:59 PM
