Saturday, August 12, 2023

Review of Jim Leftwich’s “Public Displays of Affection”

Review of Public Displays of Affection

by Daniel Barbiero
in Artedolia
August 2023

Tuesday, June 27, 2023

Jim Leftwich Public Displays of Affection



available from LULU

This unique book, written while the author and his wife have been moving around the Western USA, is full of references to place names, and flora and fauna of California, which reminds one of Californian writing of the 1960's, when poets, beats, and hippies were hanging out in places like Big Sur, Bolinas, Venice, and San Francisco. That resonance brings a level of lyricism to Leftwich’s work. But his writing is very different from those halcyon days, though there is a similarity in the attention paid to common moments and things, a Zen-like attitude. But here, words are often juxtaposed with little apparent semantic relationship, making for phrases and lines that create multiple possibilities of meaning and resonance. In Part One of this book especially, each of Leftwich’s “stanzas” are separate poems/worlds/perceptions/ and each rewards attention. They are not “thought", but mirrors of attention, blank minds open - not like the Californian 1960's at all, where such things were talked about but not manifested so much. Leftwich manifests that kind of mind, as in a classical Japanese Haiku sequence. It requires a kind of open and shifting attention of the reader, an attention that does not include any kind of searching for facile instructions about how to live. It is, rather, documentation of an acceptance and exploration of the relationship between mind and world.


this week the role of shoes / images of hats and nostrils / insomuch as the map pages / are unreadable illegible / desemantized & repetitive


- John M. Bennett

Friday, February 10, 2023

marco giovenale -- “asemics. sense without meaning” (ikonalíber): hints of history and theory of asemic writing

 

“asemics. sense without meaning” (ikonalíber): hints of history and theory of asemic writing

The book is in print / The book is in print
Testo in lingua italiana / Text in Italian

With images by / With images by
Rosaire Appel , Anneke Baeten , May Bery , Marcia Brauer , Axel Calatayud , Cecelia Chapman , Tim Gaze , Ariel González Losada , Michael Jacobson , Satu Kaikkonen , Paul Klee , Karri Kokko , Jim Leftwich , Arturo Martini , John McConnochie , Miriam Midley , Stephen Nelson , Laura Ortiz , Ekaterina Samigulina/ Tae Ateh , Lucinda Sherlock , Jay Snodgrass , Lina Stern , Miron Tee , Cecil Touchon

—> you can pre-order it here / pre-order the book here <—

Back cover :
This sequence of annotations, beyond any hypothesis of exhaustion , proposes a possible itinerary through the history of the expressions "asemic writing" (or "asemantic" or "desemantic") and "asemic writing"; and furthermore it offers some elements of theory which configure the identity of this artistic practice as «a machine of disorganization and disintegration of meaning by means of sense itself.
/
Blurb :
This sequence of annotations, beyond any hypothesis of exhaustion , draws a possible itinerary through the historyof the expressions “scrittura asemica” (or “asemantica” [asemantic] or “desemantizzata” [“desemantized”]) and “asemic writing”; and also offers some theoretical elements that configure the identity of this artistic practice as «a machine of disorganization and disintegration of meaning by means of sense itself»

More information here / more infos here:
http://www.ikona.net/marco-giovenale-asemics-senso-senza-significato/

Preview / preview:
https://issuu.com/ikonaliber/docs/asemics_preview

Facebook:
https://www.facebook.com/giovenale.asemics.ikonaliber

*

Print edition : PREORDINARE QUI / PRE-ORDER IT HERE
E-book : soon available at https://www.bookrepublic.it/

Monday, August 08, 2022

desemantized writing in the journals of allen ginsberg and william burroughs / jim leftwich. summer 2022

Monday, January 24, 2022

fluxus pea island 2007

Recluse Theater: performances without audiences
jim leftwich



fluxus pea island 
2007 
photo by sue leftwich

 

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jim leftwich, workspace, 1512 Mountainside Ct, 2005


jim leftwich
workspace
1512 Mountainside Ct
Charlottesville VA
2005

 

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Saturday, January 22, 2022

pansemic playhouse 1460


jim leftwich
cut-up & collaged stamps 
pansemic playhouse 1460 
05.03.2017






jim leftwich
conceptual asemia -- The Non 
pansemic playhouse 1460 
05.03.2017



 

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pansemic playhouse 1461

 


jim leftwich
That's not what they meant 
pansemic playhouse 1461 
05.06.2017



jim leftwich
Regardless of what you think 
pansemic playhouse 1461 
05.06.2017



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pansemic playhouse 1462



jim leftwich
staples, desemantized writing 
pansemic playhouse 1462 
05.10.2017



jim leftwich
emprientes, pareidolia, Dubuffet 
pansemic playhouse 1462 
05.10.2017


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pansemic playhouse 1463


jim leftwich
The 
pansemic playhouse 1463 
05.12.2017



jim leftwich 
cut-up collage poem with asemic writing 
pansemic playhouse 1463 
05.12.2017



jim leftwich
bursts, script-dwelling 
pansemic playhouse 1463 
05.12.2017




 

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pansemic playhouse 1464

 

jim leftwich
I'm -- cut-up collage poem 
pansemic playhouse 1464 
05.15.2017





jim leftwich
gestural & letteral quasi-calligraphic drawing 
pansemic playhouse 1464 
05.15.2017



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The Last Pansemic Playhouse #1465

 

jim leftwich
eat at yet -- pansemic vispo dwelling 
pansemic playhouse 1465 
05.19.2017

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Sunday, January 16, 2022

jim leftwich, a page from No Such Thing As Repetition (2001)

jim leftwich
Death Text Book 8 (2003)
When bears prevail Take ___ breath (microbooks, 2011)
Pixies----Calcium (2010)
Things Rescued From Eternal Nonexistence (2001)
No Such Thing As Repetition (2001)
WHAT (1996)
turtle fish sun flower. cat kite beetle boat. (2001)
noodle had (2001)
quasi-letteral anti-calligraphy (2011)
mead memo (2007)
mead memo (2004-2007)
mead memo (2002-2006)
mead memo (2006)

 

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fragments in hand pansemic playhouse 278 04.09.12


jim leftwich
fragments in hand  
pansemic playhouse 278 
04.09.12

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