m.a.g. special edition from 2002, jim leftwich

m.a.g. special edition from 2002, jim leftwich


the m.a.g. special edition :: jim leftwich :: 

VISUAL POETRY
264 WORKS
================
WRITINGS
another failed attempt to photograph reality
Asemic Calligraphy
Asemic Writing
from a letter (re: John Bennett's EDDY and SPINAL SPEECH)
from The Canard Book 2
from Death Text
Don't Believe Everything You Think
Give Up
GRENIER
Mark Sonnenfeld's "Jewish Hair and Neptune"
from KHAWATIR/SURFACES Notes
Left to die
COLLABORATIONS WITH JOHN M. BENNETT 2002
jim leftwich and steve dalachinsky
Jim Leftwich & Andrew Topel: From Allies 2
letter to john crouse (re: letterstrings)
A Lexeography of John High's The Sasha Poems I
A Lexeography of John High's The Sasha Poems II
A Lexeography of John High's The Sasha Poems III
A Lexeography of John High's The Sasha Poems IV
A Lexeography of John High's The Sasha Poems V
marks. letters. vocables. sounds. I
marks. letters. vocables. sounds. II
from MYESIS Part I
from MYESIS Part II
from MYESIS Part III
from MYESIS Part IV
No One Has Ever Gotten Anything Right
OBLIQUE POETICS
POETICS I (from letters)
POETICS II (from letters)
POETICS III (from letters)
Purple Turtle
The Road of Excess Leads to the Palace of Excess
from a few letters (re: John Bennett's rOlling COMBers)
Six Insane Impulses to Art-Making
Text for Video Draft 5
Things to Forget
Transition Probabilities
Trust, Realaesthetik, and the Texture of a Stochastic Past
Useless Writing
Vertical rhythmic disjunction
Watch Your Step