jim leftwich

Not Diter Rot’s Poem Machine


development:
seems to
itself — his
materials,
disintegrate,
it is meaningless “garbage”
from avant-garde
restlessness,
decadence — of the
creativity.





strongly

“concrete” movement.
organized, indeed.
clear
juxtaposing





banal
patterns.
succinctly:
His
exercise in the
in the
“machine of art”





worked as a

as well as
had just

a comment on
on their

end.





from my
lost. it would
perversity, but
the repressive
freedom to express
style he wanted.





rigidity for
to appropriate and
known mode of
was a
to confuse
the fact
and
another kind
death.





as his


until

Design.





decay
fruit, and
inedible,
embodied his
sense of
inexhaustible death)?





remains a

decay

projecting the
the
repetitive

film shot from
stark landscapes, with
shapes





as
it is a
series of
the point:





I am
a self
elusive
self-portrait
reprise of
somewhat





to the
art.





he is in
awake and
relationship
thus his authoritative
end of the
spent look
has
the junk that
incomplete, crumbling
appears to
be.





junk dealer — a
sublime presence

self-portrait — a

depth and calm

beautifully made
selfhood. The




meaning
restless activity,

Abandoning
the sublime,
the more
speed with
the immediacy of his
behind it.





against the
feeling of
the moment with

the delayed

meditating on
such.

interpretation
(and
Museum of
individuality





reduces modernist art to a
certain
redundancy,

what
the
as it
art.





to have
wreckage
became





becomes

but,

compost
in the midst
of technological wasteland,



as so
carries his
return to
the hopeful


worms to
his triumph of
embalmed for
embalmed
is a cure for
which means it


polluted.





irrationality.
the experience
or its rational,
exploration of
there was no
foundation for

cynical and more

sense of structure





it always seems
the repetitiveness takes
the uninhibited,
subtly redundant —

content and
self-portrait
clearly
therapeutic
intention

Literature Sausages

and nihilism
healing energy that
in some way
show up
crop after crop
avant-garde farm.
a form of



inviting the
rubber-stamp
cheese and birdseed
book
numerous
of
sound





also
collage to

document

Many of



procedure,
method.





shit,

throw-away art,



Art has

played by
as if art
become another

environment
then he has
a suicidal gesture — the
avant-garde

thus banal.





twist in
trash, carefully
the pages of books, like

reeks of
the pyramid





hides and contains
the self that
lined up
the crypts of the


buried




raw material of
waiting for







continuously and simultaneously.