John Crouse & Jim Leftwich

ACT FOUR THOUSAND NINE HUNDRED


a in act: “f in fork”

b in bed: “f in fork”

c in cat: “f in fork”

j in jut: “f in fork”

p in put: “f in fork”

r in rod: “f in fork”

d in din: “f in fork”

o in top: “f in fork”

i in fit: “f in fork”

v in vat: “f in fork”

g in get: “f in fork”

z in zoo: “f in fork.”




ACT FOUR THOUSAND NINE HUNDRED ONE


leather teddy roughshod: “in the middle”

texture monocle multiplicity: “realm of abstraction”

uncle texas complicity: “simply paint music”

grandfather navel gaze: “grounding in tonality”

stirring jelly horseback: ‘notably john cage”

panhandle graze ocular: “the way paintings”

hardship whiskers duplicity: “the issue was”

belly hardtack shipwreck: “relationships in either”

poltergeist aunt eater: “steady beat and”

polkadot ant boo: “were many reasons”

sand one hell: “some good some”

oklahoma is ok: “at the beginning.”




ACT FOUR THOUSAND NINE HUNDRED TWO


quarrel slash spotlight: “been developing for”

loft socket caterpillar: “musicians felt that”

swarm obtain meteor: “large scale in”

inborn homage shadow: “built from it”

rumple gantry endeavor: “unity in music”

diary tongs supersonic: “romantic view of”

sideshow octave mower: “hundreds jumped on”

consul straddle restore: “hemmed in with”

pickup menace handicap: “knuckles slapped for”

blemish spout voucher: “was the first”

turret seltzer crutch: “when do you”

bulldozer applicant manger: “think it stops?”




ACT FOUR THOUSAND NINE HUNDRED THREE


slay property gasoline: “the exploration of”

dice reunion spangle: “as music developed”

goldsmith factor deli: “an analogy grew”

twine subtle paralyze: “especially those ensconced”

military liquid input: “was a science”

garter eligible swoop: “whether the average”

powdery idol grump: “a rabble rousing”

foundation clutch tinder: “was supposed to”

replica hygiene fudge: “inflammatory headline listen”

stratosphere novelty erode: “relationship between audience”

decency swap whoosh: “mathematician and theoretical”

loiter spear newcomer: “otherwise by what?”




ACT FOUR THOUSAND NINE HUNDRED FOUR


sun person remorse: “translation of this?”

speak repelled teacher: “seems to me?”

message efforts remission: “followed this logic?”

chosen grades repaired: “would do himself?”

wrong between control: “of the public?”

known distant circulates: “was extreme endpoint?”

charity floating arranged: “several decades american?”

leaves police organs: “reason paradoxically difficulty?”

winning element dense: “tempted some musicians?”

cloth teeth vapor: “sound as abstract?”

shallow armor fee: “what was going?”

praise eaten orchestra: “music seemed akin?”




ACT FOUR THOUSAND NINE HUNDRED FIVE


penobscot holocene ezekiel: “mondrian. and so”

normandy odessa pindar: “structuring, which they”

comanche jamaica nottingham: “cage developed a”

nimitz lesotho pergamino: “a field of”

naples brunswick peru: “chance pieces were”

florida melbourne barcelona: “pulverization. reason: musical”

somerset wyoming teutonic: “an era which”

azerbaijan aragon gibraltar: “everything else. big”

queensland bataan syracuse: “were recorded and”

rangoon ontario murmansk: “of atonal abstraction,”

natal mozambique sardinia: “be commercialized: that”

bonn ottoman chile: “no rhythmic glitter.”




ACT FOUR THOUSAND NINE HUNDRED SIX


gropius ernst hogarth: “defeat the memory”

byron braque duchamp: “commodity. they aimed”

debussy blake berlioz: “in the moment,”

pannini titian chagall: “crass commercial world”

beethoven dunstable haydn: “experience. to that”

monteverdi rembrandt telemann: “a noble cause,”

strauss sibelius picasso: “and so among”

dvorak bartok chopin: “separable, behind abstract”

boulez giacometti mendelssohn: “own inner laws”

rousseau pindar vermeer: “sound existential abstraction”

stravinsky tchaikovsky voltaire: “by the corporate”

pollock michelangelo goethe: “these impulses find.”